Noteable events in my musical career:
| 1977-1981 | my interest in Kiss (from a visual perspective) was great, being an artist, I would illustrate their make-up designs regularly |
| 1979 | Kiss Dynasty was my first album, it was a christmas gift that I had begged for for months. Of course, when I played it for the first time, it skipped (gotta love vinyl!!). I never had a copy of that album that didn’t skip until I bought it on CD! |
| 1980 | While listening to my Kiss album, I would wrap myself up in a red crazy carpet and while adorning a kids snow shovel, I’d climb up onto the house oil tank and pretend to be performing as Gene Simmons on stage. |
| 1980 | My favorite Kiss characters were Ace Frehley, followed closely by Peter Criss strictly based on the make-up design and colours! |
| 1983 | The Police Synchronicity was the first album that I purchased myself |
| 1983 | This was the year I discovered Motley Crue and I was blown away by the album Shout at the Devil! I suddenly wanted to be a bass player big time, I just loved the whole persona of Nikki Sixx, his look, his image and his attitude. This is when I decided that when I grew up I wanted to be a rock star. I started working out ways I could pursue that interest. |
| 1984 | I wanted badly to buy a bass guitar but my parents decided that if I was going to learn to play a stringed instrument, it would have six strings… fine with me, it was a start! |
| 1984 | Started guitar lessons with a friend of the family who was a guitar player. I was learning basic chords how, to tune the guitar etc… |
| 1984 | My parents bought me the acoustic guitar that I was learning on from my instructor |
| 1984 | After about six months of playing folk songs such as “Blowing in the Wind”, my interest in playing guitar dwindled dramatically! My fingers hurt and I didn’t like what I was playing so my guitar went into the closet for a few months. |
| 1984 | A friend from school showed me his electric guitar and showed me some songs he had learned (Van Halen, ACDC, Black Sabbath) and that peaked my interest again, I had now discovered the power chord! |
| 1984 | Pulling out my acoustic guitar again, I started learning some of the songs that I enjoyed listening to so much |
| 1985 | Playing these songs on acoustic never felt right so I bought my friends electric guitar from him for $100 |
| 1985 | I went to a local music store and bought a small Peavey practice amp which I still have today |
| 1985 | At this point I started writing my own songs |
| 1985 | With a couple of cassette recorders, I would record a guitar track, play it back in one cassette player, play my guitar along with it to record both guitar tracks with the other cassette player. Then I would play that back and sing along with it to record my vocals. Mulit-track recording before I even knew what it was! I later found out that this is how most musicians starting out worked, it wasn’t ingenious or unique on my part! |
| 1985 | Chatting with my cousin Bill Jolin (who lived in Calgary at the time) via snail mail, he would send me lyrics that he would write and I would put them to music and record them. |
| 1985 | Started taking a guitar class in high school, my school was the first in Ontario to have a music class exclusively for guitar |
| 1986 | Did my first onstage performance in front of a crowd with my fellow classmates at a highschool event |
| 1986 | Recorded my first song at school after class with my teacher on his recording equipment for a Toronto Song Writing Competition. |
| 1987 | At this point I’d now written between 20 and 30 songs that I had recorded using my home made cassette recording system that I had established. |
| 1987 | I wanted badly to be in a band at this point, my cousin Bill being a drummer (now living in Oshawa – Greater Toronto Area), was anxious for me to move to Oshawa to start that band with him and play shows in and around the GTA. |
| 1987 | Using college as my opportunity, I took the Greyhound 13 hours South to Oshawa to interview with Durham College to attend their Graphic Design Program |
| 1987 | I was accepted into the Durham College Program |
| 1988 | Moved in with my Aunt, Uncle and Cousins in Oshawa to go to Durham College |
| 1989 | With my newly received government grant, I went directly to Long & McQuade and purchased a new amplifier to go with my next purchase, a red Charvelle Jackson Model 5 guitar from a fellow classmates husband |
| 1988/1990 | We jammed regularly in my Uncles house and my writing continued |
| 1990 | I started collaborating with fellow guitar player and College classmate Steve Parsons |
| 1991 | Bill moves out of his parents house and gets an apartment with his new girlfriend. The new place has a vacant garage in back |
| 1991 | Bill, Steve and I start to jam regularly in that garage |
| 1991 | Started working on a new music project with another classmate Chris Trubella who was getting into playing drums at the time. He had a friend that sang and another friend that played bass |
| 1991 | At the singers grandmothers house, we wrote songs, rehearsed and talked about possibly playing our first show in the very near future |
| 1992 | We booked our first show and as the reality of performing live drew closer, the singer backed out due to stage fright |
| 1992 | With no place to rehearse and no singer, Chris and I started working acoustically writing in his apartment and rehearsing where ever we could. I would play guitar and Chris would sing |
| 1992 | We recorded our first two songs together “Her Name Was Agnes” and “More” at Frank Ross Recording Studio – a studio converted from a garage that had 1/4” reel to reel equipment. I wrote and played all guitars while collaborating with Chris on the lyrics and song structure, Chris sang and played drums. There were no bass tracks on these recordings |
| 1992 | Met with bass player (another fellow graphic design classmate) Lance Pilon. We let him hear our recent recordings and he was interested in playing bass with us |
| 1992 | As a trio we continued to work on new songs and went back into the studio to record some new material whenever we had a couple of songs to record |
| 1992 | We put up some ads locally looking for a drummer as Chris had turned his focus to singing |
| 1992 | We set up in our first rehearsal studio |
| 1993 | After trying out several different drummer candidates over several months, we finally found someone that we clicked with and Adrian Lawrence became our first official drummer |
| 1993 | We continued to go into the recording studio whenever we had anything ready to record |
| 1993 | After long debates and discussions, we finally settled on a name for our new band, Riddle Me This… |
| 1993 | Frank Ross eventually booked us our first live gig, a band wars competition that he was involved in. Although we were one of the finalists in this competition over several weeks of performing, we were unable to make it to the final show due to scheduling conflicts |
| 1993/1994 | We continued to write, rehearse, record, book and play live shows until our drummer ran into some personal conflicts and had to leave the band. |
| 1994 | He continued to play shows with us until he helped find his replacement Gord Clement. Without missing a beat, things picked up right where Adrian left off |
| 1994 | I buy a second Amplifier along with some new effects pedals |
| 1994 | Rebuild the first electric guitar I purchased years ago with all new hardware (Sperzel Locking Machine Heads, Floyd Rose Tremolo, and an EMG active Pick-Up) creating a beat-up but awesome sounding stage guitar that I could let lose with on stage and not worry about damaging – not to mention, it now glowed in the dark |
| 1994 | Due to planning changes in the building that we rehearsed, we were required to leave our rehearsal studio and find a new space to practice. We found our new rehearsal space in Ajax, a communal band space where 4–5 other bands rehearsed at any given time as well, scheduling practice time within the space. |
| 1995 | We recorded our first official demo tape, a six song recording that was recorded in one day. The recording was live off the floor (with the exception of a few dubbed guitar and vocal tracks) at our rehearsal studio. |
| 1995 | Designed and produced Riddle Me This… t-shirts in preparation for the release of our demo tape |
| 1995 | I buy a new Boss GT4 Stereo effects system to work with my two amplifiers. |
| 1995 | We have our demo tape release party in Toronto. |
| 1995 | We play our first live recorded performance at the Groovy Basement in Toronto. |
| 1995 | After playing many shows, we decided to go back into the recording studio to produce our first professionally recorded CD. Spending a weekend at Chalet Studios (Bare Naked Ladies, Rush), we recorded six tracks with the intention to go back and record the other six tracks at a later date. We never did make it back into Chalet Studios to complete the project due to lack of funds, so all we ever got from that recording session was a quick board mix of the songs we recorded |
| 1995 | We win the Moon Room Bandwarz competition and recorded a song for their compilation CD. Again we record this song live off the floor, this time right at the Moon Room club |
| 1995 | Gord announces that he is leaving the band due to financial constraints and the search for a new drummer begins |
| 1995 | Chris gets married |
| 1995 | Chris announces that he was leaving the band to move to Vancouver. |
| 1995 | We play our last show together at the Opera House |
| 1995 | Lance and I decide to hire Mike Manheri as our new drummer and Gord works with him to learn the songs |
| 1995 | Lance gets married and at the wedding, Gord tells us that leaving the band was a mistake and he would like get back in. Since we had a new drummer now, and with Gords previous vocal experience, the recent vocal vacancy seemed logical, so Gord re-joined the band as our lead singer |
| 1995 | We again were playing shows and shortly thereafter started planning and rehearsing to record our first full length demo CD |
| 1995 | During pre-production, Mike leaves the band |
| 1995 | Without a drummer, we decide to program all the drums for the CD |
| 1995 | We rent all the necessary recording equipment from Simon Head and over the month of December (in a bedroom, on our own) we record our first full length CD – Anomaly |
| 1996 | We have Simon Head mix the recording |
| 1996 | We have our recording mastered and I design the CD art |
| 1996 | I build my first guitar from scratch with the body made out of clear acrylic |
| 1996 | We use Music Manufacturing Services to make our CD’s |
| 1996 | We enter the track “Stutter” from the CD to two radio station Music Search Contests |
| 1996 | New drummer John Levasseur joins the band |
| 1996 | We have our CD release party at Chameleon Cafe where we announce that we were one of the finalists for the CFNY New Rock Search Competition |
| 1996 | We start hearing our songs being played on the radio |
| 1996 | We start playing and booking shows through CFNY |
| 1996 | We play EdgeFest at Molson Park where over 20,000 people were in attendance |
| 1996 | I buy a new custom built guitar |
| 1996 | We were asked to be part of a Rogers Cable TV series where local bands were interviewed and did an on-stage performance for the show |
| 1996 | Our rehearsal studio was broken into and most of our equipment was stolen the weekend before the Rogers Cable recording. Long & McQuade lent the equipment needed for us to do our performance |
| 1996 | I start to build my second guitar from scratch |
| 1996 | We do the Rogers recording |
| 1996 | We watch ourselves on TV for the first time |
| 1996 | I replace my stolen amplifiers with a new Fender single 12” and a Marshall 2-12” cabinet along with the new Boss GT5 |
| 1996 | We start receiving fan mail, signing autographs, getting phone calls and being recognized locally in the malls and restaurants |
| 1996 | We are asked to contribute a song to a Kiss Tribute Compilation CD. |
| 1996 | We record “Almost Human” for the Kiss Compilation |
| 1997 | For the second year in a row, we win the Moon Room Bandwarz Competition and contribute a song to their compilation CD |
| 1997 | Lance finds out he is going to be a father and decides to leave the band |
| 1997 | We leave our rehearsal studio in Ajax and move into a new rehearsal studio in Oshawa |
| 1997 | We bring in a new bass player, change the band name to MK Ultra and start working on new material unrelated to the Riddle Me This… work |
| 1997 | We bring in Mike Bryant from Shadwell’s Jacket to play keyboards with us |
| 1997 | We play a couple of local shows with our final show as a group taking place in Oshawa. We had our own lighting tech and roadies to set up and take down for us |
| 1998 | I buy a mixing board and set up a little recording studio at home |
| 1999 | Gord, Lance and myself start to get together again once a week at Gord’s apartment to work on music |
| 2000 | I sell my mixing board and the three of us buy a new digital mixing board together and start digitally recording songs at Gord’s place |
| 2000 | I buy my PRS Custom 22 guitar |
| 2001 | I start working on my own in Gord’s studio on some solo music |
| 2002 | I buy my BC Rich Virgin guitar |
| 2003 | After several years of getting together once a week but not really accomplishing anything significant, we decide that we weren’t really getting anywhere with our efforts and call it quits |
| 2003 | I buy Lances Vantage bass guitar off him |
| 2004 | I continue to work out of Gord’s studio on my solo music |
| 2004 | Gord helps me set up my own recording studio at home |
| 2004 | Lance and I start getting together again to work on music and we form the project Sliver to which we start to re-write and record the songs that we started but never finished with Gord |
| 2004 | I continue to work on my own music as well |
| 2004 | Sliver completes a country tribute CD “You’re Lookin’ at Country” as a christmas gift to our parents |
| 2004 | We create a very limited run of “You’re Lookin’ at Country” CD’s to sell to friends and family |
| 2005 | I buy my BC Rich Beast guitar |
| 2005 | Lance sets up his own recording studio at home and starts to work on a solo project, Sliver is put on hold indefinitely |
| 2006 | I record my first full band (Harvesting Humans) in my home recording studio. |
| 2006 | I continue to develop the Sliver work on my own |
| 2007 | After ten years in limbo, I pull out the second guitar that I started building to complete the project |
| 2007 | Purchase an existing guitar body from ebay to paint and build my way |
| 2008 | I still write and record on a regular basis as new songs pop into my head. I’m in the process of building a full recording studio in my basement with a separate recording room adjacent to a sound proof rehearsal room. When completed, I will be completely set up to record full bands |
| Future | Continue to write and record my music, build my guitars and sell them on my website and ebay. I also still intend to complete the Sliver project of songs |